Sunday, 12 April 2015

Vintage

You've been staring at that wall
For quite some time now.
I know that that painting evokes some reaction in you.
You may not be able to put your finger at it
But the brushstrokes remind me of the gentleness
With which I touched your spirit.

That, there, may remind you of when I ran my fingers
In zigzag patterns over your skin
And I know, over there, is the same detachment
You claimed my eyes had
When we sat after some
Detached love making.

We had coffee then.
The brown and black at the edge of that painting is
Not reminiscent of that moment, and I know you
Didn't think of it at all
But I hope it touched you somewhere,
Right in your spirit
Because I remembered that conversation we had
And that unnecessary splotch is an ode to it.

I told you then; I wanted fame.
I was sick of throwing paint on the ground and
Watching it wash away with my tears
Because when I created, it was not
My hands at the job
But some inner phantasm that
Took control of me and
That phantasm spirited itself away
Through my fingers
Through my eyes
And through your voice
When you never asked me not to cry.

You understood it was necessary
For someone whose lips chewed the end of a joint
But whose fingers could never fashion the energy
Necessary to light it up
To not want to explain her tears
But to watch them create their own
Patterns, mingling with the color
She saw like she saw the diffused rays of sunlight
Every dawn after the nightmare of
Endless, ineffective sleeping pills got over:
Liberation.

I loved how you regarded me as some stray dog.
You wanted to come close to me
But you were afraid I'd bite if you came too close
Secretly, I'd laugh at the wary expression your eyes wore
When you would ask a question
And I wouldn't answer
Just stare at you, blank faced
Because I guess, I guess you really didn't get my
Bohemian ways.

That little burnt sienna at the edge is an ode to that expression
I swear I've spent hours before a mirror trying to recreate
You do not know this, but I would have taken that fatal step
When someone I admired told me I was worthless
If that expression was not in my memory;
Affixed and vintage.
Imagine, if you can,
Me; standing at the very edge
Of that diffused sunlight,
My paintbrush in hand,
Ready to give in to what you knew I couldn't control
But hysterically laughing because that expression that 
Could never be mine
Made me whole.

"I want to be famous."
That's the last sentence I said,
When you found me out of bed,
4:30 AM, in front of another day break.
That was the only time I saw you angry,
And you held my wrist too damn tightly
Because you were afraid of letting go
Of what you never possessed
And your spirit knew what your practical
Starched collar shirt and crispy buttered toast mind
Didn't.
I was never yours to begin with.

You left that day, suitcase in hand 
And as you packed, 
You threw a palette through the center of the canvas
I cried most before, because
I knew it demanded something of me,
And I could never complete it.
And that little heart, right at the center
Is my memory of it.

I think the lady next to you is your wife
And she loves what you've seen and wonders if you'd buy it.
When you look at her, it isn't the vintage confusion with which you
Looked at me.
It almost looks like something I could never feel.
I think it looks like love, something
Starched collar shirt, crispy buttered toast real.
And I can hear you say,
"I think I used to know this painter..."
And I can hear your spirit say,
"In the diffused sunlight, I can still see her."

(This is a three part series about an artist's failed relationships. 
Here is the prequel: http://betweentheparenthesis.blogspot.in/2015/04/the-nostalgia-prequel-to-vintage.html?m=1) 

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