Friday, 12 February 2016

Made Up Stories/ A Rainy Valentine's Day in the Park/ (500) Days of Autumn


Every once in a while, I call your name
To make me believe it happened.
Autumn, Autumn happens.
In secluded corner of skin we carve
Seasons to explain wind and rain and that state of
Droplets heavy with hope.
I have washed over pages heavy with residual droplets
From three monsoons ago
With words like
Fall.

Add 'in love'
Before or after.

Some sort of laughter that drove us up against the wall
And out on the streets
Teenagers driven by some strange idea of
Invincibility, invisibility
Maybe I built a voodoo doll and stitched your name on it
And asked you to tear it apart when (if)
We separated
Because that is what I would have
Liked to do to you.

The trees here are growing old and bent
And I think their age is an invitation to be touched
Like when we made up love stories, we would
Like when we carved monuments in text, we would
We touched, we touched like
Lips and skin and a mutual dizziness
Ground pulled from beneath our feet
Aftershocks the rumbled down our throats into
Smoke in the pit of our stomach
The unpredictability shook us, the fingers, I remember the fingers
The shaken, beaten,
fingers we used to taste the
Carpet of grass that held water in a tight embrace
The fingers we used to break the electric tension of fragile love:
It was all a monsoon hangover anyway.

In a way, aren't we all the love police?
In a way, isn't love going to dismantle us?
In a way, haven't we fingered the past enough to
Blur dew and rain?

The choice was mine, you said
Where I wanted to damage pre-existing love stories
Where I wanted to write love the love that has never been written
Because it has never been created
Except in the impression we left on the grass.
In a way, didn't you tell me it was my choice to
Choose to be destroyed by love?

Every once in a while, I call your name.
A friend told me her boyfriend told her
Sikkim has autumns.
Fall.
In love.

Thursday, 11 February 2016

Dining Hall Conversations

Sixteen.
There were always lines meant to discipline,
Meant to hold back,
Meant to extend the distance between
You and food.
There were fingerprints all over the plates,
Incriminating those who felt, who ate, who
Took up too much space.

Sixteen.
'My thighs/arms/wrist/clavicle
Gap/stomach/waist/cheek
Chin/back/butt/leg
Fat. So. Fat.'
Words were laid as memorials to the
Heavily drawn lines of how much, how little
We ate.

Nine.
Ten days of parental absence,
Chocolates bought for each inevitable tear,
Chocolates meant as survival strategy.

Thirteen.
Arms grew past the span of your index and thumb fingers
'But do you want to dress like that
But do you want to eat that
But you are two kilos too heavy
Take away the butter platter.'

Seventeen.
Tablet sized dream
Exploding in your stomach
Lines of blood in your thighs
Demarcating
Where battle scars need to become
Lines of Control
Hills on your wrists, collar,
Strategic advantages for luring rivals in
The inward crater in you that rumbles
Avalanches of hunger with every breath
The no-man's land between your thighs
To build a country for men.

Fourteen
'Lauki. Lauki is the answer to everything.'
If you have large eyes,
Add some desperation.
If you have a pouty mouth,
Add some traces of lips chewed clean.
If you have shiny black hair,
Starve until your skin shines as well.

Meanwhile your diagrammatic representation of perfection
Comprises parentheses,
Set against themselves.

Seventeen.
Chocolates discarded.
Oranges. Water. Daal.
Your body is 70% water and
The 27% of tears that it empties out can be replaced with your special secret:
Liquid diets.
You secretly fantasize fainting because at least
There will be some legitimacy to your brand of
Martyrdom.

Eighteen.
Classroom:
Tables facing Table
Tables questioning Table.
'But does being pretty amount to anything?
But female beauty standards are a patriarchal construct.'
But Skinny, tall, white, is an unnecessary ideal.
Give my back my freedom.'

Eighteen.
Phone Conversation with Mom:
Long distance that amplifies love
And blinds us to all that surrounds it.
'There is a lady downstairs ... she is quite healthy ... she is wearing trackpants and a t-shirt.'
'So what? You can wear it too.'
'Yeah, but ...'

Eighteen.
Contents in the wardrobe:
Some clothes; many earrings, shoes
Space, neatness
Sizes create inevitable spaces and blocks
Of clothes worn on endless repeat
Clothes whose fabric and cut spell 'If only'.

Eighteen.
Dining Hall:
Tables
Surrounded by people
Blemished by food
Squandered, divided, reduced,
Left unconsumed.
Amidst the echoed clatter of spoons tasted selectively
I hear the battle cry
We learnt with our baby food:
'I wish I was pretty.'